It was unexpected that THE GLASS WALL would have a Holocaust and Hungarian refuge thematic. The basic story is of a man who stows away on a ship from the old world where he was in concentration camps from the age of 14 and, caught, he can't make it through immigration. Desperate to not be send back, his wish is to find the trumpet player whose life he saved, so that the musician can testify for him. Meanwhile, he befriends a woman in trouble - a woman who can't pay her rent. The trumpet player sees his picture on the front page of a local newspaper and wants to help him but the refugee is fleeing - all the way to the United Nations building - a modern building that is symbolic in design of a glass wall. The trumpeters girlfriend turns out to be a Hungarian exotic dancer who lives with her mother who is making goulash... and says "We're all honkies..."
Considering that some of the earliest Hollywood people, directors, studio moguls, photographers, cinematographers, etc. were of Eastern European including Hungarian descent, I thought about the stereotypes of Hungarians and their representation in movies. I believe the writers on this were Maxwell Shane and Ivan Tors.
C 2012 Magyar American BlogSpot
